In his perceptive reading of James Cameron’s 1997 film “Titanic”, Slavoj Žižek neatly illustrates how a catastrophe can save a fantasy, or an ideal. There is a scene in the film, where Rose DeWitt Bukater (Kate Winslet) and Jack Dawson (Leonardo DiCaprio) make each other a promise of eternal love: “When this ship docks, I'm getting off with you“ , Rose says. That , and not the Titanic going down, Žižek claims, would have been the true catastrophe. Indeed, we can easily imagine how, once in New York, maybe after a few weeks of good sex, this fantasy of pure untainted love would have faded away, crumbling perhaps under the pressure of social expectations, of their objective cultural and social status differences, combined with the dullness after the inevitable loss of novelty and euphoria of falling in love. This then was the true function of the iceberg sinking the Titanic in the film: a momentous real catastrophe has to happen, so that the fantasy (or the ideal) can live on. (...